The heart of the ceramic process is fire. Using wood as fuel provides unique results. Ash, temperature, atmosphere and placement of the object in the kiln, affect the outcome of the finished piece. The interactions of these elements can provide infinite variations to any given work. Each successful piece is as much a ‘gift’ as a creation.
Firing the kiln is work requiring preparation, cooperation and serious commitment. Necessary chores like cutting wood, preparing meals and cleaning up must be managed. Loading, firing, cooling and opening the kiln take many days to complete and participating can be an occasion of social engagement and an opportunity for lasting friendships. The entire experience can be as rewarding as the pots we bring home.
Firing the kiln is work requiring preparation, cooperation and serious commitment. Necessary chores like cutting wood, preparing meals and cleaning up must be managed. Loading, firing, cooling and opening the kiln take many days to complete and participating can be an occasion of social engagement and an opportunity for lasting friendships. The entire experience can be as rewarding as the pots we bring home.
By combining tradition and experimentation, Beverly Saito creates her own unique brand of decorative art. Much of her sculpture has reference to functional forms. “One of my favorite shapes is the teapot. With handles and spouts, they present a challenging and intriguing design problem.” Like a poet writing haiku, the ceramicist making a teapot must create something unique within a defined form. Bright colors, contrasting textures and intricate detail, are all part of the distinctive quality of her art.
Originally from the San Francisco area, she now resides in Port Townsend, Washington and has been working in clay since 1970. She has received many awards and grants and has given lectures and workshops to both students and professionals. Her work is represented in museums, universities, corporate and private collections and can be obtained from galleries across the U.S.
Originally from the San Francisco area, she now resides in Port Townsend, Washington and has been working in clay since 1970. She has received many awards and grants and has given lectures and workshops to both students and professionals. Her work is represented in museums, universities, corporate and private collections and can be obtained from galleries across the U.S.
beverlysaito@gmail.com
360 379-8256
360 379-8256